Printemps, paysanne sous les arbres en fleurs, circa 1865-1866
Oil on original canvas
46,5 x 56 cm / 18,3 x 22 in
Signed lower left : A. Sisley
Certificate of authenticity issued by the Alfred Sisley Committee, January 26th, 2012.

PROVENANCE

Svenska-Franska Konstgalleriet, Konstauktion, Stockholm, 2-4 December 1936, n°114, under the title 'Blommande fruktträd' ('Fruit trees').
Jacob Wallenberg Collection, Stockholm.
Private Collection, Switzerland.


EXHIBITIONS

Frankrike genom konstnärsögon (France through artist's eyes), Föreningen Fransk Konst, National Museum, Stockholm, May 9th - June 2nd, 1941, n°390, under the title 'Landskap med blommande fruktträd' ('Landscape with fruit trees').
Cézanne till Picasso, Fransk konst i svensk ägo (Cézanne to Picasso, French Art in Sweden), Moderna Museets Vänner, Liljevalchs Konsthall, September 1954, n°342, under the title 'Blommande fruktträd' ('Fruit trees').
Sensations de Nature : de Courbet à Hartung, Musée Gustave Courbet, July 4th - October 12th, 2015.
Alfred Sisley : Impressionist Master, Bruce Museum, Greenwich, January 21st - May 21st 2017.
Sisley : l'impressionniste, Hôtel de Caumont Centre d'Art, Aix-en-Provence, June 10th - Octobre 8th 2017.


BIBLIOGRAPHY

Cézanne till Picasso, Fransk konst i svensk ägo (Cézanne to Picasso, the French Art in  Sweden), Moderna Museets Vänner, Liljevalchs Konsthall, Septembre 1954, listed under the n°342, p.93.
Sensations de Nature : de Courbet à Hartung
, Musée Courbet, Exhibition Catalogue,  Lienart Editions, Paris, 2015, illustrated p.36 and p.122-123.
Sensations de Nature : de Courbet à Hartung
, Album, Musée Courbet, Lienart Editions, Paris, 2015, illustrated p.14.
MaryAnne Stevens, Alfred Sisley : Impressionist Master, Exhibition Catalogue (English), Bruce Museum, Greenwich, Hazan Editions, Paris, 2017, illustrated p.59.
MaryAnne Stevens, Sisley : l'impressionniste, Exhibition Catalogue (French), Hôtel de Caumont Centre d'Art, Aix-en-Provence, Hazan Editions, Paris, 2017, illustrated p.59.


This work will be included in the new edition of the Catalogue Raisonné de l'oeuvre d'Alfred Sisley by François Daulte being prepared by the Comité Alfred Sisley at the Brame & Lorenceau Gallery.

InquiryALFRED SISLEY - Printemps, paysanne sous les arbres en fleurs, circa 1865-1866
BE NOTIFIED OF THE ARTIST'S NEW WORKSALFRED SISLEY - Printemps, paysanne sous les arbres en fleurs, circa 1865-1866

BIOGRAPHY

Paris 1839 – Moret-sur-Loing 1899

Alfred Sisley was a British painter, born in 1839 in Paris. Torn between London and France, the father of pointillism spent more time visiting museums then studying international trade. In England, he discovered Turner and Constable, and definitively dedicated himself to art in 1861. In October of the same year, he entered the School of Fine Arts in Paris and attended, in parallel, the studio of Charles Gleyre and Swiss Academy, where he met Renoir, Monet and Bazille. It is with these pioneers of Impressionism that he developed the open air painting. The four friends left the workshops and set up their outdoor easel, to capture the light of the present moment. In 1865, he initiated the Salon des Refusés to promote Impressionist painting. Then, meetings at the Café Guerbois, orchestrated by Edouard Manet, followed. Emile Zola participated in too.
What is bound to become an esthetic revolution was paused in 1870 while Monet, Pissarro and Sisley fled during the Prussian invasion to London and were in contact with the art dealer Paul Durand-Ruel. Back in France a year later, he painted many snowy landscapes, with blue and pink reflections. From 1876, he discovered the beauties of the Seine and made regular stays in the Yvelines.
In 1883, many solo exhibitions were held, signing Sisley’s fame. He exhibited at Durand-Ruel’s, including in his new gallery in New York. In 1890 he was admitted to the National Society of Fine Arts.
Today unanimously considered as the purest representative of Impressionism, due to his delicate and luminous pictorial touch, and his thorough understanding of nature, Alfred Sisley is one of those cursed painters whose career took a world-wide scale after his death.
It was in 1899 that the painter’s rating soared and his painting became one of the most popular of the artistic community.

 

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