Le bol, 1924
Oil on panel
9,9 x 15,2 cm / 3,8 x 5,9 in
Signed lower left: Juan Gris


Galerie Simon, Paris
Galerie Jeanne Bucher, Paris
Galleria del Milione, Milan
Dr Riccardo Jucker collection, Milan
Anonymous sale: Sotheby's, New York, May 12th 1994, n°207
Private collection (acquired from the above)
Private collection, Switzerland


Braque, Gris, La Fresnaye, Léger, Lipschitz, Marcoussis, Picasso, Marie Harriman Gallery, New York, March-April 1935, n°12.


J.A. Gaya Nuño, Juan Gris, Barcelona, 1974, illustrATED p.225 and listed p.245 under the n°482.
D.Cooper and M.Potter, Juan Gris, Catalogue Raisonné de l'Oeuvre Peint, Vol.II, Paris, 1977, illustrated p.309 and listed p.308 under the n°487.

InquiryJUAN GRIS - Le bol, 1924


Madrid 1887 - Boulogne-Billancourt 1927

José Victoriano González, who later became Juan Gris, was born in Madrid in 1887. He abandoned his prior engineering studies, to begin in 1904 studies at the School of Art and Manufacture of Madrid, and to devote himself to painting. His first works were inspired by the « Jugendstil » (German Art Nouveau) seen as a major art by the Madrid contemporary art world.
Juan Gris was eighteen years old when he moved to Paris in 1906. Settled in a studio in the Bateau-Lavoir he made a living by illustrating famous French (L'Assiette au beurre, Charivari, Le Cri de Paris, etc.) and Spanish magazines. He produced more than 700 drawings for the press, often humorous or satirical. From 1911, Juan Gris entirely devotes himself to painting.
Impressed by the Cubist works of Braque and Picasso he quickly became friend with them. Gris gave a more intellectual and constructive dimension to his works. He kept a style that remained his own, based on rigorous, almost geometrical compositions when he represented objects. Alongside, Juan Gris sculpted, created collages, and illustrated poest’s works (Pierre Reverdy, Tristan Tzara, etc.).
In 1912, Juan Gris participated in the Salon des Indépendants with his painting Hommage à Picasso which Guillaume Apollinaire characterized as « the expression of full Cubism ». This same year, he participated in the Cubist exhibition at the Dalmau Galleries in Barcelona, as well as the exhibition of the Section d’Or at La Béotie Gallery in Paris. In 1913, the artist signed a contract with the art dealer Henri Kahnweiler.
He became friend with Henri Matisse in 1914. After World War I, the art of Juan Gris drew near the tenants of the Esprit Nouveau and the Purist movement (Le Corbusier, Amédée Ozenfant). In 1922, the painter designed the theatre set and costumes for the Russian ballets of Diaghilev. In 1923, important exhibitions of his work were organized at the Simon Gallery in Paris and at the Flechtheim Gallery in Berlin ; this last gallery exhibited his work again two years later in Dusseldorf. He was internationally renowned but he’s health rapidly declined. Victim of uraemia, Juan Gris was only 40 when he brutally died in 1927.


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